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Framing Walls with Larry Haun

Framing Walls with Larry Haun

Genre: Framing Walls

In this wall-framing video, Larry Haun and his brother Joe build the exterior and interior walls of a basic 1,600 square foot house. Starting from the completed floor deck, they take you step-by-step through the entire process, showing you practical ways to organize tasks, streamline procedures and handle the right tools and materials efficiently.

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Robert Schumann - Genoveva - Nikolaus Harnoncourt

Robert Schumann - Genoveva - Harnoncourt (Teldec)

Genoveva (Op. 81) is an opera in four acts by Robert Schumann in the genre of German Romanticism with a libretto by Robert Reinick and the composer. The only opera Schumann ever wrote, it received its first performance on 25 June 1850 at the Stadttheater in Leipzig, with the composer conducting. It received only three performances during the premiere, and the negative criticism it received in the press played a decisive role in Schumann's decision to not write a second opera.
Genoveva has never won a large popular audience, but it continues to be revived at regular intervals throughout the world and has been recorded several times.

Synopsis

Act 1
The opera begins with Hidulfus, Bishop of Trier, summoning Brabant's Christian knights to join Charles Martel's crusade against a feared Saracen conquest of Europe. Siegfried, Count of Brabante, answers the call. In preparing to leave for war, he entrusts his wife, Genoveva, to his young servant, Golo.

Act 2
Despite Golo's overwhelming desire for her, Genoveva persistently rejects his advances. Infuriated by these rejections, Golo seeks revenge against Genoveva by staging a trap to discredit her. One night, Golo sneaks Drago, an old steward, into Genoveva's bedroom to fake an adulterous affair that is then witnessed by other servants, brought to the scene by Golo. In their rage, the servants kill Drago and Genoveva is imprisoned for adultery.

Act 3
Word of this imagined infidelity gets back to Siegfried, who then commands Golo to put Genoveva to death. Drago's ghost appears in front of Margaretha and tells her that if does not reveal the truth, she will die.

Act 4
As two armed men are dispatched to kill Genoveva, her life is saved through the intervention of a mute, deaf boy. Siegfried then discovers Golo's treachery and restores his wife's honour.

source: Wikipeda

EAC LOG

Performers
* Thomas Quasthoff (Baritone)
* Ruth Ziesak (Soprano)
* Oliver Widmer (Baritone)
* Marjana Lipovsek (Mezzo Soprano)
* Rodney Gilfry (Baritone)
* Deon Van der Walt (Tenor)
Conductor
* Nikolaus Harnoncourt
Ensemble
* Chamber Orchestra of Europe

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That's Adultery (1975)

In this zany comedy, four situations involving adultery provide fuel for laughter. A young man's skill at impersonating his boss gets him into bed with his boss's wives in the first segment. In the second, a Japanese woman commits adultery. The third concerns a couple who resume their relationship after one of them marries another. In the fourth, a woman is blackmailed by a third party who photographs her having sex with her lover while her husband is away. His price is to have a sexual relationship with the unfaithful wife. ~ Clarke Fountain, All Movie Guide

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Ken Russell - The Music Lovers (1970)

Posted By : pgf000 | Date : 30 Sep 2009 10:12:15 | Comments : 0

“

The compelling and bizarre story of Tchaikovsky's life and music. Excellent classic soundtrack.

”

IMDB

IMDB Review:

“

"The Music Lovers" captures the Ken Russell style at its best. It's a full blown expression of his romanticized, shocking, exaggerated biographies, previously seen in black and white, low-budget BBC productions (more adequately financed here thanks to the success of "Women In Love"). Russell's excessive style contrasts the supreme beauty of Tchaikovsky's music with the turbulent, tormented, messy life from which it arose. The visual flights of fancy succeed in conveying the musical transcendence. Performances go way over the top, but the treatment calls for it. Richard Chamberlain bravely goes where few actors would in 1970. Glenda Jackson is absolutely fearless. She'll do whatever it takes, from writhing around nude to shaving her head. There's no denying the film is a deliberate assault on the senses, but thoughtful viewers will leave with much to contemplate and digest. I should not omit the fact that it's highly entertaining as well.

”